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The joy of El Cigala
Theater
Central. Seville. September 16th, 2000.
(vidalita
de Dieguito)
Which singer
today can bring together Juanito Valderrama and Vicente Amigo, Pastora Soler and
Fernando Romero, Arcángel and Potito, Pablo Carbonell and Gran Wyoming?
Dieguito el Cigala.



El Cigala came
to put things right. In his presentation in Seville he couldn’t finish the third
cante. He abandoned the stage, and left the rest of the evening to a triumphant
Potito. Now, on the same stage, fifteen months later, El Potito is happy to give
him a standing ovation, along with the rest of the audience.

Wyoming handled
the presentation, one of the "18 tough guys" in his group. As an offering
of the "clean and sober" certification, there was a big-screen projection
of the man, smiling with his son, and ‘Entre vareta y canasta,’ the tangos
that title his intimate and original second recording. Taking advantage of Dorantes’
cancellation in the Bienal, El Cigala sang outside of the festival.
He began singing
‘Lirios y rosas.’ His performance started and finished with fandangos;
the first one with his group, the second with just Niño Josele. These are
his two facets: alone with a schematic yet creative guitarist that contributes
greatly to his recording, or backed up by a group of nine musicians. In 75 minutes
he sang four groups of bulerías camaroneras (which was not
exactly the best style for his guitarist). The best of them had no palmas.
He is a master
por taranto, which is easy enough to say, but, when done, is worth quite
a lot. Any doubts about Dieguito el Cigala are quickly dispelled upon appreciating
his ornamentation of the two tarantas, interpreted with absolute control
and recreation. His martinetes were aseguiriados, his moderation
improved soleares, he repeated his live tangos, and he punctuated
his version of the vidalita with violin. His songs about styles that require
knowledge of the singer: alegrías that start with Córdoba,
passing to the legend of that "barquito de vapor que está hecho
con la idea…" (steamboat made with the idea of…) A joy. A triumph.
Luis
Clemente
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