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DIGITAL ENCOUNTER
Javier Barón,
flamenco dancer
April 29th, 5 pm (Spanish time)
Flamenco
dancer Javier Barón -2008 National Dance
Prize-, who is premiering his show ‘Dos voces
para un baile’ at the Teatro de Madrid next
April 30th to May 3rd 2009, answered questions online
from Flamenco-world.com’s readers. Read all
the answers. |
| Name:
Carmen
City, Country: London,
UK
Question: What are your
projects now?
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Javier Barón:
We’re immersed in a really nice project
which is to revive my show ‘Dime’,
the show with the most prizes at Seville’s
Bienal de Flamenco in the year 2002. It’s
a show dealing with the great poet Federico
García Lorca from a different viewpoint.
From the Huerta de San Vicente, where he
used to spend his most fun moments with
his friends and guests. This show means
a lot to me. It’s given me a great
deal of satisfaction and a great deal of
joy, which are reflected in each character
performing in the show. Thanks to the Town
Hall of my hometown, Alcalá de Guadaíra,
we’ll hold a re-premiere on July 12th
within the Festival Riberas del Guadaíra
(Seville). I hope you can come and see it.
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| Name:
Carlos
City, Country: Gerona,
Spain
Question: Which style do
you like to perform most and why? Which
do you identify most with? Regards, I’m
a guitarist.
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Javier Barón:
Hi Carlos,
I identify with each style I do. I don’t
have any favorite one in particular. I feel
fulfilled with each style I perform. I really
like flamenco.
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| Name:
Reyes
City, Country: Seville,
Spain
Question: Which prize has
been more important to you: the Giraldillo
del Baile or the National Dance Prize?
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Javier Barón:
Both of them. One for giving me another
chance to return to Seville, my native land,
to introduce myself as a bailaor. And the
other, twenty years after the first one,
for the recognition of an entire lifetime
devoted to baile. And what I have left … |
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| Name:
Kandela
City, Country: Seville,
Spain
Question: : In 'Dos voces
para un baile' you reflect on the simplicity
flamenco used to be made with in your early
days. Do you think there are currently unnecessary
things in flamenco? Are there too many tricks?
Is it due to public demand, the organizers
or artists’ restlessness?
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Javier Barón:
Sometimes other types of dance are abused
which they try to join to flamenco. The
responsibility sometimes belongs to the
organizers, who often ask for things without
knowledge. There are more politicians than
technicians, and they’re only interested
in volume and filling the stage, not the
value of the artist’s proposal. |
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| Name:
Silvia Antonini
City, Country: Milano,
Italy
Question: A special hello
to my friend and maestro Javier Barón.
I want to know what your main aims are after
having won the 2008 National Dance Prize.
Thank you very much
Silvia Antonini
_____________________________________________________________
Javier Barón:
To keep on working and dancing as I’ve
always done. Best wishes
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| Name:
Adriana
City, Country: Rovereto
Italy
Question: I don’t
have any questions, I just wanted to give
you my very best wishes!
Adriana
_____________________________________________________________
Javier Barón:
And best wishes to you. I hope you all haven’t
been affected by the earthquake. It was
a really big tragedy. If I had the chance,
I’d like to contribute my art to help
the earthquake victims. Best wishes
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| Name:
Juan Gómez
City, Country: Cádiz
(Spain)
Question: Hi Javier, my
name’s Juan and I’m from Cádiz.
We saw each other at least 300 times at
the festival, ha ha. Well, congratulations
again for the prize; you deserve it. I’ll
take advantage to ask you where in the deepest
part of your soul do you get your art and
your baile from and how do you get it across?
Thanks for teaching me so much and I hope
to always keep on learning from you and
my Patino. Best wishes and so long, genius.
_____________________________________________________________
Javier Barón:
Hi Juan, I was really glad to see you. You’re
a great person. Thank you very much for
your congratulations and your praise. That
comforts me because I know they’re
sincere. My baile comes from what fills
me living flamenco day by day. And you get
that across on stage. Best wishes |
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| Name:
Mamen
City, Country: Spain
Question: More than a question,
I’d like to make an acknowledgement;
thank you for shaking us up with your baile.
I had the pleasure of seeing your show at
Festival de Jerez, and it was the best thing
there was in the first week of my stay there.
That’s why I advise flamenco enthusiasts
not to miss it.
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Javier Barón:
Thank you very much. I felt really at ease
in Jerez at all times. The city and the
Teatro Villamarta were the two great incentives
to triumph with my show ‘Dos voces
para un baile’ at a festival so important
worldwide, and in front of such a special
audience. For those who didn’t see
it, I await you beginning tomorrow, Thursday,
April 30th at the Teatro de Madrid. We’ll
be there until Sunday, May 3rd. Thank you
very much for speaking so well of my work.
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| Name:
Aline Cristina Pavia
City, Country: Campinas,
Brasil
Question: What do you think
is more important to a bailaor? To always
seek perfect technique or to always seek
something new and unprecedented? Why isn’t
a good bailaor(a) necessarily a good maestro
for classes and vice versa? How can a bailaor
grow personally in order to get across his
art and his technique to other people?
Thank you very much and a big hello from
Brazil,
P.S. When can you come to Brazil to teach
flamenco dancing classes? We await you very
affectionately!
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Javier Barón:
To always seek something new. If you’re
looking for perfection, it’s better
to go to a repair shop which always uses
the same parts. Regarding the second question,
everything comes in good time. Each thing
has its stage and at certain times the bailaor
only thinks about dancing and creating,
and not about teaching. Experience, patience
and age are what make you grow as an artist
and as a maestro. Regarding your invitation
to teach classes in Brazil, all you have
to do is contact my office (www.dezza.es)
and we’ll be in Rio de Janeiro! Thank
you very much
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| Name:
Muriell Garfias
City, Country: Vienna,
Austria
Question: Hi Javi. When
are you going to do a tour of Central Europe
and come to Vienna? I remember your classes
and performances in Vienna a lot. Every
time you appear live you get through to
the audience due to your spirit and professionalism.
Best wishes from your friend Muriell
_____________________________________________________________
Javier Barón:
Hi Muriell, I’m really glad to say
hello to you. I love Vienna and you’ve
all always treated me really well there.
I’d love to be able to return to your
country. We have some things going on in
Germany; we’ll see if we can go there.
But it’s rather complicated nowadays.
Let’s hope that for the sake of art
and flamenco, this is worked out soon. Best
wishes
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| Name:
Jason Martínez
City, Country: Tucson,
AZ USA
Question: Javier, we had
the chance to see you in Albuquerque and
were pleasantly surprised, as we had not
heard much about you prior to that performance.
Would you consider yourself a minimalist?
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Javier Barón:
More than minimalism, I’d talk about
simplicity. Both in the person and in the
artist. I try to tell my truth in every
show I do, without beating around the bush
or any tricks. And above all, very flamenco.
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| Name:
Mara
City, Country: USA
Question: Mr. Barón.
Speak to us, please, about ‘duende’.
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Javier Barón:
It’s something inexplicable. It appears
and disappears. But when it’s there,
it’s something magical. It’s
hard to explain with words; you have to
live it and feel it. |
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| Name:
Alejandro
City, Country: Albuquerque,
USA
Question: Hello Javier,
I’m Alejandro from Argentina but I’ve
lived in Albuquerque for several years now:
I just wanted to tell you that I loved the
show you did in Albuquerque two years ago,
with that violinist whose name I can’t
remember right now, which was brilliant,
well, it was really a great show. Will you
come again to New Mexico, or to the United
States this year? Or Argentina? (I’ll
see if I can catch you when I’m there.)
_____________________________________________________________
Javier Barón:
Dear Alejandro, thank you very much for
your words. The truth is that ‘Notas
al pie’ is a great show, and we felt
really good in Albuquerque. The violinist’s
name is Alexis Lefèvre; he’s
a great musician and a great person. I love
working with him because he has very special
musical sensitivity. We’re in the
planning stage of doing more stuff together.
We’ll see when we can go back to Albuquerque.
It’s a great festival and it’s
a shame that it’s been canceled for
the time being. We have several dates pending
in the U.S.; let’s hope we meet again
soon. |
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| Name:
MARIELLA
City, Country: ITALY
Question: Javier, before
doing your show, before going out on stage...
what scares you the most and what gives
you the most strength... the most confidence?
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Javier Barón:
Hi Mariella, what scares me the most are
the first few minutes of the show. The crowd
gives me confidence. The response and warmth
I get from them in every performance is
fundamental. |
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FAREWELL MESSAGE
I thank all of you who have asked me any questions.
I hope you feel satisfied with my answers. It’s
been complicated to respond to all of your inquiries,
but it’s been really nice to share, through www.flamenco-world.com,
my thoughts with all of you. I give all of you flamenco
lovers my very best wishes. And I give thanks to this
website for its work in the spreading and universalization
of an artform as important as flamenco is.
Javier Barón
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