Chano Lobato
Biography, discography, Real Audio and readers' comments.

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" I am in favor of progress. The only thing I don't want to happen is to lose the special feeling of Cádiz"






Alberto García Reyes
June, 2001

"Chancillo, do that little bulerías song that you know". He was only 10 years old when Ignacio Espelete gave him a part in the flamenco parties in the old quarter of Santamaría. For Juan Miguel Ramírez, rhythm is just another part of his body".

He's 72 years old, but Chano laughs like a little kid when the talk is about flamenco. Seated in his armchair, Juan looks at all his awards and commemorative plaques with a touch of childlike glee.

With a record as distinguished as this citizen of Cádiz, bearing witness to the cantes of Enrique el Mellizo, el Gordo Ortega, Rosario la Mejorana, or el Espeleta is something that should concern Lobato. "There continue to be many good people in Cádiz because there is a great love of flamenco here. Now there are young people who are very well trained; the things they are doing at the university are surprising, and, to tell the truth, I am in favor of progress. The only thing I don't want to happen is to lose the special feeling of Cádiz. That must be respected and preserved. Everyone should do what he likes, but they should also be acquainted with the old songs.

AZÚCAR CANDÉ

On "Azúcar candé", the flamenco from Cádiz collaborated with Lucrecia. At first it might seem contradictory that Chano should defend the traditions of his region and, at the same time, share the starring role with someone from the other side of the Atlantic. "I did a show with a Cuban group last year, and it was fantastic. The important thing was that I did what I knew and they did what they knew, and afterward today's progressive thinkers took charge of pulling it all together". Progress is something the singer values much more than the younger generation. Not in vain did he have to put up with a lot from the "señoritos" (wealthy bon vivants): I lived at a time when you had to put your guitar on your shoulder and make the rounds of the country estates. That's why I'm happy that flamenco has become what it is today, that it is held in greater esteem. Today the young kids who want to learn the songs have it a lot easier than we did because there are some really fabulous recordings now. In my day, we had to go to a bar where they played records or learn by going to juergas. But that was a good thing, too, because there you had the opportunity to talk to people. You would have the master in front of you telling you what he was doing". Before ending our chat Chano explains that lately he walks on a regular basis for his health. But then he confesses, "I really like having a beer, and yesterday I drank two or three even though I shouldn't have". His witty character and friendliness with everyone lure him into a get-together. Surely this is why he knows so much about life: "Let's have a beer, shall we, friend…"


 

Translation: Marie Jost
Photos: Anahí Cármody

More information about Chano Lobato

- Video: Bienal de Flamenco 2000. 23th September 2000.

 
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