Feature: 'Cositas buenas'


Paco de Lucía, ‘Cositas buenas ’. Pozuelo Escénica 2007
Review and photos

Review: Paco de Lucía. 2004 North American Tour. Vancouver

Listen 'Cositas buenas' in Real Audio
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'Cositas buenas' videoclip
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Video interview with Paco de Lucía
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Features

Almoraima: A revolution with old weapons by Alberto García Reyes
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Paco de Lucía: A new tradition for the flamenco guitar
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Tablatures

'Generalife bajo la luna'
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'Barrio la Viña'
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'Entre dos aguas'
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'Guajiras de Lucía'
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Photo gallery

Paco de Lucía photo gallery
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Online store

Paco de Lucía's complete discography. CDs, books, guitar tabs, DVDs.
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News


Paco de Lucía’s sixtieth birthday is celebrated in Algeciras with a seminar

Málaga en Flamenco 2007 pays tribute to Paco de Lucía with a concert at La Malagueta

Paco de Lucía continues his ‘Cositas buenas’ 2007 tour in Europe and South America

Paco de Lucía tours France with ‘Cositas buenas’

Paco de Lucía. 2004 Prince of Asturias Award for the Arts. Special Feature
“I share 65% of this Award with Camarón and the rest with myself”

13th Bienal de Flamenco de Sevilla: Paco de Lucía
Review, photos and online video

Paco de Lucía, 2004 Prince of Asturias Award for the Arts

Paco de Lucía recovers on DVD a concert held in Germany in 1996
The guitarist is accompanied by the historic septet

Paco de Lucía continues his tour around Spain, Germany, France, Belgium, Portugal, Italy and Brazil

Paco de Lucía returns at the end of January with the album 'Cositas buenas'
The guitarist from Algeciras brings Camarón's voice back to life on this new album

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Interviews

Video interview with Paco de Lucía (by Manolo Nieto, recorded in Toledo on December 14th, 2003)

"Now there's an opening in which there isn't so much respect for that purity which was hammered into us, that you had to sing the cante of La Trini, and of Joaquín el de la Paula, and of Manuel Torre, and of Chacón, because that's what's pure. And anything new you do isn't pure... that's ridiculous" (Javier Primo. Menos uno editorial, 2001)
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"I do not know how to define myself; I'm still trying to find myself" (About 'Luzía'. Madrid, 1998)
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"I had always believed that the muse came when she wished to, but it is not true, she comes when you are working. When you are inspired, the ideas seem to flow better, but you have to take the guitar every day and scribble on a sheet of paper to see if anything comes out" (Paco Espínola. 'La Caña', 1992)
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