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VI FESTIVAL
DE JEREZ BERNARDO PARRILLA QUINTET
Chemistry
session
Silvia
Calado Olivo. Jerez, 27th February 2002 Bernardo
Parrilla: violin. Juan Parrilla: flute. Ramón Jiménez: guitar. Fernando
Anguita: bass guitar. Luqui Losada: percussion. Palacio de Villavicencio. Jerez
de la Frontera (Cádiz), March 1st, 2002. 7:00 p.m. 
Bernardo Parrilla
y Ramón Jiménez (Photo: Daniel Muñoz)
A
violin + a flute + a bass guitar + a guitar + a cajón = flamenco. This formula,
without exactly being worthy of Einstein, brought relativity to the constrictions
of orthodox flamenco in an evening of music to delight the great walls of the
Jerez Alcázar. Responsible for this happening, a group of daring souls who pushed
the possibilities of jondo flamenco to heroic extremes, putting chemistry above
tradition: Bernardo Parrilla, on the violin; Juan Parrilla, on flute; Ramón Jiménez,
guitar; Fernando Anguita, bass guitar; and Luqui Losada, on the percussion. With
the flute giving voice to the normally sung melodies, the quintet began filling
its test tube with notes reminiscent of rondeña. The mixture sounded of calm.
A lively dialogue between the flute and the percussion brought not only cheers
of 'ole', but bubbles to the test tube as well. The flute sang, devilishly. The
concoction was smoothed out with tangos, compacted, connected. All is one. Then,
on the spot, back to bulerías which "we want to dedicate to our parents". Guitar
+ cajón. A little more violin, Bernardo…it's impossible to sound more flamenco.
The bow takes charge and stirs the mixture, the flute wants to be heard, the cajón
wants to support…they don't want to see you alone in soleá. And why not something
with a touch of the exotic? "It's like an Argentine tango, but also a flamenco
tango, after so much traveling around you go crazy" says the piper of Hamelin.
They spice the fusion with rhythm and sway, with tension, with the good taste
to make it all come out right, without mincing words. "A one, a two, a three and…",
tanguillos. The test tube is already bubbling. Oh, just a bit too much percussion.
The formula is almost ready. Mmmmmmm. Flamenco. 
Juan Parrilla (Photo:
Daniel Muñoz)
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