Vicente Amigo
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FLAMENCO-WORLD.COM TOP 10 2005

Safe bets

Flamenco-world.com, December 2005

Flamenco was once again ruled by its key figures in 2005. Vicente Amigo and Diego el Cigala have shot to the top of the charts compiled by Flamenco-world.com based on their sales figures. The newcomer of the year was La Tana, a cantaora with the backing of none other than Paco de Lucía. Jorge Pardo's ‘Vientos flamencos’ have revived interest in instrumental flamenco. These have also been months for revisiting classic, established cantaores such as Enrique Morente and José Menese. And a time to discover what the producer of the moment has to offer on the new label Casa Limón. Of course, Camarón de la Isla is still a bestselling artist. The list of DVDs is a mixture of vintage recordings, the live shows of top artists and instructional dance and guitar materials. In general, it was a moderate year in terms of the number of releases, and with few risks taken, concentrating more on names with a proven track record than on new artists or musical offerings.

CD. FLAMENCO-WORLD.COM TOP 10 OF 2005
DVD. FLAMENCO-WORLD.COM TOP 10 OF 2005
BOOKS. FLAMENCO-WORLD.COM BESTSELLERS 2005

CDs. Flamenco-world.com Top 10 of 2005

Vicente Amigo, Diego el Cigala and La Tana take the first, second and third slots respectively in the Flamenco-world.com Top 10 sales list for 2005. Two key figures in contemporary guitar and cante, plus a newcomer - a vocalist who's been taken under the wing of Paco de Lucía himself - make up the top three. Vicente Amigo made a triumphant return to the marketplace, five years after his previous album, with ‘Un momento en el sonido’, a further step along the personal path he's carved out during his career. Diego el Cigala, on the other hand, took advantage of the international success of the ‘crossover’ with Bebo Valdés, ‘Lágrimas negras’, to return to flamenco, using Picasso as a theme and the exceptional guitars of Paco de Lucía and Tomatito to reach audiences by the most direct route. The appearance of La Tana with ‘Tú, ven a mí’ was a lesson in cante flamenco, following in the same line as Camarón, and providing an incentive to draw a new wave of young fans to the genre. Evidently the fact that she has the backing of Paco de Lucía, producer of the album, influenced the success of one of the few fresh offerings of the season.


La Tana (Photo: Daniel Muñoz)

His disciples aside, Camarón de la Isla himself continues to be a safe bet for flamenco-lovers. On the one hand, the public accepted with open arms the vocalist's previously unreleased recordings from his youth on ‘Camarón en la Venta de Vargas’, which made the fourth place on the Flamenco-world.com chart. Meanwhile, in tenth place we have the soundtrack from the movie directed by Jaime Chávarri on the now legendary artist, ‘Camarón, la película (Original Motion Picture)’, although this is another compilation of his work to add to the long list. And needless to say that the repackaging of the ‘Integral’ complete box-set of Camarón's work, and the reissue of all of his albums in cardboard covers with updated booklets has served to boost the sales of the ubiquitous legacy of the legendary cantaor.

As for instrumental music, ‘Vientos flamencos’ by Jorge Pardo has intrigued flamenco-lovers, reaching fifth place on the list. The original feature of this item is that it's had successful sales figures both in terms of MP3 downloads available on the new website Flamencodigital.com, and in CD format. The saxophonist's album is followed by a sampler from the label Casa Limón, put together by the flavor of the moment among flamenco producers, Javier Limón. Guest artists such as Paco de Lucía, Tomatito, Niño Josele, Duquende and Montse Cortés lend substance to a collective recording that gives a taste of albums in the pipeline for the next season. Just bubbling under the Top 10 were Armenian violinist Ara Malikian and guitarist José Luis Montón with ‘De la felicidad’, an album that wallows in musical fusion in the wake of ‘Manantial’. The same fate befell the new album ‘Pokito a poko’ by Chambao, a group whose success has been earned by labeling themselves ‘flamenco chill’.

The classics of cante have also enjoyed widespread popularity. There are two veterans with new projects in sixth and seventh places respectively: Enrique Morente with ‘Morente sueña La Alhambra’ and José Menese with ‘A mis soledades voy’. The Granada-born cantaor has created an album as original as it is orthodox, based on the soundtrack from the film of the same name, with first-rate contributors including Pat Metheny, Juan Habichuela and Tomatito. As for José Menese, he took a traditional repertoire - based on poems from Spain's Golden Age - to the recording studio, after several seasons of touring. As an extra sweetener, it's accompanied by a DVD of the live act recorded at the 2004 Festival Bienal de Sevilla. Just pipped to the number ten slot was another tried and tested artist: El Lebrijano. His album ‘Puertas abiertas’ takes a further step in his adventures with the Andalusí music he's been performing since ‘Encuentro’.


Sara Baras on 'Iberia' by Carlos Saura

As we've seen from examples like ‘Camarón, the Movie - Original Motion Picture Soundtrack’ and ‘Morente sueña La Alhambra’, during 2005 the film industry has had its impact on the record-buying public. This is also the case with the soundtrack to ‘Iberia’ by Carlos Saura, with a spectacular line-up of artists and creations made-to-measure for the film using Isaac Albéniz's compositions as a starting point. All indications are that it'll become a ‘classic’ on sales lists, just as the original soundtrack from the hugely famous film ‘Flamenco’ has been ever since its release. Connected with this type of albums in terms of the variety of their content are the compilations, of which over these last twelve months the vitality of the series ‘Pa saber de flamenco’ can't be ignored, with a third volume added and another specializing in guitar.

Sadly, several new albums whose release dates have been delayed didn't make the list, such as ‘Mi forma de vivir’ by Duquende and ‘Techarí’ by Ojos de Brujo. Although these are among those sure to find a place in the Top 10 for 2006, a year which should also see new releases from José Mercé, Arcángel, Miguel Poveda, Juan Diego and, perhaps, Estrella Morente. Let's hope.

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