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Antonio Gades, a tribute. Special
feature

I offer my respect for my colleague Antonio
Gades, an example to us all for his noble, chivalrous character
within a profession frowned upon my some in this day and age.
Though I prefer his deep human understanding.
We studied Spanish dance and flamenco together for a long
time. We traveled to concerts together as members of Doña
Pilar López's Spanish company, that was over a five
year period. Back in those terrible, poverty-stricken days,
when we traveled on squalid trains and stayed at damp and
depressing boarding houses, but when our hearts brimmed with
enthusiasm and joy. Nothing was more important to us than
to learn to master the difficult world of the flamenco arts.
(An anecdote) I remember we went to the Festival
de Linares, under the pompous name ‘Festivales de España’.
As it was during the town's busy fiesta period there was nowhere
to stay, everywhere was booked up. Nowadays all the reservations
are made a year in advance, that's one area where we really
have made progress. All the lodgings were full over the week
of street parties. We went to the last boarding house Antonio
knew, and they had no vacancies either. And there we were,
terrified at the prospect of having nowhere to lay our heads
after rehearsals, and later after the show. So we decided
to take the owner up on his offer. What do you think he offered
us? A billiard table and a blanket. And there we slept like
logs on the night of our triumphant performance.
All the while professionals from the arts aren't true to
themselves and don't cast aside the demands of etiquette or
diplomacy, they won't win the acceptance or respect of their
contemporaries in the art world. I'd rather be a slave to
my words than the master of my own silence
Lo que no me des y no te pida
será para la muerte, que no deja
ni sombra por la carne estremecida
That which you do not give me and I do not ask of you
shall be for death, which casts
not a shadow upon our trembling flesh
From here I'd like to say that life ends where memory fades.
Mario
Maya (bailaor)
magazine@flamenco-world.com
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