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FLAMENCO DISCOGRAPHIES • ESTRELLA MORENTE, CANTAORA
Cante or trilling
S.C./ Flamenco-world.com, August 2010
Translation: Joseph Kopec
Estrella Morente’s début
album was the chronicle of announced success. The Granada-born
cantaora, whose voice had been heard both recorded and live
in the projects of her father Enrique Morente, made her
own way solo in 2001 with the album ‘Mi cante y un
poema’. And the surprise was not just her beautiful
way of performing, but also reaching a larger audience with
an absolutely classical repertoire. Scarcely a few months
later, she gave flamenco sound to Christmas with ‘Calle
del aire’. In the five-year gap until making her next
record, ‘Mujeres’, her stardom soared more and
more, becoming one of the country’s best-paid artists.
Her definitive backing by the greater public came with the
bolero por bulerías which was the main song of the
soundtrack from Almodóvar’s ‘Volver’.
But she has had many more collaborations with diverse artists
which have left a sound or audiovisual mark, from Carlos
Saura to La Mala Rodríguez, with Vicente Amigo…
or Enrique Morente in between.
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Antología
de Estrella Morente (3 CD + DVD)
2009
‘Antología’ is a book-album
in which Estrella Morente compiles her entire
record and video work. It includes the three
discs which the artist has created so far: ‘Mi
cante y un poema’, ‘Calle del Aire’
and ‘Mujeres’. Moreover, it has
a DVD with the already known ‘Casacueva
y escenario’ plus the previously unpublished
concert presenting her début album in
2001 at the Teatro Lara in Madrid. All of it
is complemented with a deluxe booklet over forty
pages long which, illustrated with full-color
photos, offers a biographical text and compiles
the lyrics and credits of all her songs. |
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| Casacueva
y escenario (DVD)
2007
The DVD ‘Casacueva y escenario’
offers a journey through Estrella Morente’s
career as an artist. The documentary is split
up into three parts, which allude to her early
days as well as her recognition as a cantaora.
The first is a recording of the artist performing
at her house at the age of nineteen, accompanied
by Juan and Pepe Habichuela. The second places
her at the same age at Cueva de Curro Albaycín,
together with other artists from Sacromonte.
And the third part is the concert ‘Pastora
1922’, which she offered at the 2004 Granada
Music and Dance Festival at La Alhambra’s
Patio de los Aljibes, paying tribute to La Niña
de los Peines. On that stage where the mythical
Contest of 1922 took place, she performs a repertoire
of classical cante including tangos de Granada,
soleares and bulerías, accompanied by
a group consisting of Loles del Cerro, Dolores
la Porrona, Miguel Ángel Cortés
and Grupo de Laúdes del Albaicín,
among other artists. |
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Mujeres
2006
In ‘Mujeres’, the third album
by Estrella Morente, the Granada-born cantaora
pays tribute to great female voices, both
from flamenco and other musical genres in
these thirteen new songs produced by Enrique
Morente. The album takes a look at historic
cantaoras like La Niña de los Peines,
La Perla de Cádiz and La Repompa, as
well as singers of the likes of Imperio Argentina,
Nina Simone and Chavela Vargas, among others.
Moreover, the album includes the version of
‘Volver’ the cantaora recorded
for director Pedro Almodóvar’s
latest film. The special edition with free
DVD including a videoclip of the song 'Zambra'
by film's director Fernando Trueba, plus three
songs of the live concert dedicated to the
memory of the singer La Niña de los
Peines at Granada's Alhambra.
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| Calle
del aire 2001
A Christmas present from Estrella Morente to
all her followers. Christmas songs and Christmas
lyrics from the popular flamenco tradition.
Estrella sings a wide variety of songs with
the common subject of Granada’s folk and
Christmas celebration. Accompanied by musicians
such as Cañizares, Chano Domínguez,
Alfredo Lagos and Víctor Merlo, tackles
folk songs like ‘Los cuatro muleros’,
Christmas carols such as ‘Noche de paz’
(‘Silent Night’), flamenco cantes
and ‘Salve gitana del Sacromonte’,
among others. As a bonus track, a homemade recording
singing accompanied by maestro Sabicas when
she was just seven years old.
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Mi
cante y un poema 2001
‘Mi cante y un poema’ was Estrella
Morente’s first solo album. And nearly
a decade after its release, it could be considered
a classic within the neoclassical current
of today’s flamenco cante. Inspired
by old-time maestras like La Niña de
los Peines, the cantaora focuses on traditional
styles, accompanied by the exquisite guitars
of Manolo Sanlúcar, Juan Habichuela,
Pepe Habichuela and Alfredo Lagos. Only in
the poem ‘Moguer’ by Juan Ramón
Jiménez does she make a reference towards
new roads. The producer, of course, was her
father, maestro and mentor: Enrique Morente.
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Collaborations
Dirty
bailarina 2010
Estrella Morente’s latest collaboration
to date was daring and surprising. On the
album by Sevillian rapper La Mala Rodríguez
‘Dirty bailarina’, she sings ‘Patito
feo’, a song, cante, message and hip
hop.
Paseo
de Gracia 2009
One of the guest vocalists on the album ‘Paseo
de Gracia’ by guitarist Vicente Amigo.
To be exact, she is in charge of closing it
with the tangos entitled ‘La Estrella’.
Morente
Flamenco 2009
Enrique Morente’s first live cante album
included Estrella’s voice in the bonus
track, the creation ‘Nana de Oriente’.
Con
otro aire 2007
Side by side with La Mari, Estrella Morente
took part on Chambao’s album ‘Con
otro aire’, singing the song 'Lo bueno
y lo malo' by Ray Heredia.
Memoria
2007
On the first solo album by Granada-born guitarist
Miguel Ochando, Estrella Morente provided
the vocals for ‘La reina del blús’.
Volver BSO 2006
Estrella relates that when, inspired by Chano
Lobato, she went to record the bolero por
bulerías ‘Volver’ as the
main song of the soundtrack for the film of
the same title by Pedro Almodóvar,
actress Penélope Cruz sat down beside
her in the studio booth to learn the gestures
of her performance. They both did it perfectly.
Paz
2006
On the album which Niño Josele dedicated
to jazz pianist Bill Evans, Estrella took
part by singing the sweet song ‘Minha’.
Morente
sueña La Alhambra 2005
Estrella Morente’s trilling is interwoven
by the disc ‘Morente sueña La
Alhambra’, so much so that she even
imitates the warbling of the birds at the
Nazarite fortress with her voice. Moreover,
she can be seen on the DVD.
Iberia
2005
The film which Carlos Saura made inspired
by Isaac Albéniz’s suite ‘Iberia’
included Estrella Morente, who sings a choreographic
saeta dressed in mourning with a shawl.
Romero
2004
On the début album by Huelva-born guitarist
Juan Carlos Romero, Estrella sings the fourth
of the sevillanas ‘Un puñao de
sal’.
Territorio
Flamenco 2003
On this collective record, each cantaor performs
a well-known song from another genre. While
Diego Carrasco sang ‘Hello, Dolly’
and Rancapino ‘Bésame mucho’,
the Granada-born cantaora opted for the tango
‘Nostalgias’.
Fragua
Futura 2003
In this catalogue with which the label Nuevos
Medios wanted to anticipate the future, the
up-and-coming artists José Carbonell
Montoyita, Estrella Morente and Joaquín
Cortés are backed with the bulería
‘Paseíllo de mi ilusión’.
El
último cantaor 1999
When she was still three years away from bringing
out her own album, she conversed with a colleague
from the same generation. On Potito’s
album ‘El último cantaor’,
she sings the tangos ‘De puntillas’.
Sobreviviré
BSO 1999
Estrella Morente’s performance on the
soundtrack of the film ‘Sobreviviré’
was another of the steps taken by the artist
until she triumphed with a name of her own.
“Sola, como una estrella que cae del
cielo…”.
Omega
1996
Although her voice had already been heard
on some of Enrique Morente’s previous
discs, Estrella’s participation on the
revolutionary ‘Omega’ was crucial.
The version of Leonard Cohen’s ‘First
we take Manhattan’ together with her
father is epic.
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Estrella Morente, 'Antología'
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CD. Estrella Morente, 'Mujeres'
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CD.
Estrella Morente, 'Mi cante y un poema'
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CD.
Estrella Morente, 'Calle del aire'
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CD.
Estrella Morente, 'Casacueva y escenario'
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