Ketama
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Flamenco-style pop

Of course, flamenco has come to an understanding with the most approachable pop for several years now. And that has been the way it has made it to the top of the charts in Spain. Although Ketama started off by joining other types of world music, from which emblematic records such as ‘Shongai’ came out, it ended up focusing on catchy flamenco-style songs with pop arrangements. The group, coming from the Habichuela family, influenced an entire generation of bands during its successful career. Also based in Madrid and with strong links to the Ketama wave appeared La Barbería del Sur, between Paquete and El Negri. Navajita Plateá and Maita Vende Cá came from the lands of Cádiz to make it big with singles such as ‘Noches de bohemia’ and ‘No hay luz sin día’, respectively. There are also soloists down this road. José el Francés, El Barrio and Queco are a few of those who have made banners out of flamenco-style pop ballads with which to win over the greater public, each with their own nuances and personality. Nor must it be forgotten that since ‘La leyenda del tiempo’ by Camarón, most cantaores have included songs with pop arrangements on their albums, from Remedios Amaya to Niña Pastori, with José Mercé in between, to name only a few.

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More information:

Special Feature. Ketama. Presentation of ‘Dame la mano’. A stew of brotherhood

Photo gallery. Shooting of the film ‘Ketama y su herencia flamenca’ (‘Ketama and Its Flamenco Legacy’), by Michael Meert

Interview with Queco (November 2003)

Interview with El Barrio (May 2002)

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