FESTIVAL DE JEREZ 2009. ‘TRIBUTE TO MARIO MAYA’

Mario Maya and life

Silvia Calado. Jerez, March 14th, 2009

‘Tribute to Mario Maya’. Bailaores: Ángel Atienza, Manuel Betanzos, Manuel Liñán, Diego Llori, Juan Andrés Maya, Marco Vargas, Juan Manuel Zurano. Bailaoras: Isabel Bayón, Patricia Guerrero, Belén Maya, Manuela Reyes, Miriam Sánchez. Cante: Antonio Campos, Jesús Corbacho, Manuel de Paula, Alfredo Tejada. Guitars: Juan Requena, José Luis Rodríguez, Jesús Torres. 13th Festival de Jerez. Teatro Villamarta. Jerez (Cádiz, Spain), March 14th, 2009. 9 p.m.

Highslide JS
'Homenaje a Mario Maya' (Photo Daniel Muñoz)

Belén Maya, Israel Galván, Rafaela Carrasco, Isabel Bayón, Marco Vargas, Nani Paños… shape up a batch of bailaores with a common denominator: Mario Maya. All of them are personal, restless and makers of a road of their own, but they are strongly branded by the mark left on them by the Córdoba-born bailaor and choreographer residing in Granada when they were members of the Compañía Andaluza de Danza (Andalusian Dance Company). Not only do they dance well but, as Galván said the other day at the technical days, they have that “bonus of concept” which makes them special.

Mario passed away a few months ago, but they all remained to uphold his legacy. Sometimes they’ll uphold it tacitly and others, as it happened at the close of Festival de Jerez 2009, the most explicit way that can be imagined. Not all of them, but a considerable handful of them, set aside their individual names and projects in order to return to that mythical company and revive together, all mixed up in the dance corps, choreographies like ‘Oliva y naranja’ and ‘Un, dos, tres… fa’, both with music by Diego Carrasco. One was the prologue and the other the epilogue to a just, brilliant tribute which, coordinated by Belén Maya and promoted by the recently created Mario Maya Foundation, premiered a couple of days ago at the Teatro Lope de Vega in Seville with the intention of continuing. And here it was a matter of going beyond good intentions and remembering the maestro with a show worthy of his memory.

Highslide JS
'Homenaje a Mario Maya' (Photo Daniel Muñoz)

Leaving aside the little technical difficulties - this edition’s cross -, between everyone and with the help of stage director Miguel Serrano, they have composed a balanced, representative collage with rhythm, with a great deal of emotion … And full of unique moments. One of them, perhaps the most special one, was the seguiriya by Belén Maya, a sort of danced, heartfelt duel which stood the crowd’s hair on end due to its substance and its form. Next, Isabel Bayón would come in swinging beautifully por jaleos. But if something determines Mario Maya’s work it is the treatment of male baile. And it is seen in the clean and still modern choreographies ‘5 toreros’, ‘3 sillas’ and the solo por alegrías performed by Manuel Liñán who, without having been a member of the company but rather a recent collaborator, made the solo por alegrías all his own. Then ‘Cantes de trilla y martinete’ from ‘Camelamos naquerar’ and ‘Dúo de Amargo Jinete-Caballo’ from the show ‘Diálogo del Amargo’ are from another dimension; they’re gems of dance-theater-flamenco and emblems of his creation. Manuel Betanzos was the one who had the courage to put himself in the shoes of the oppressed man who longs for his freedom, held by the arms by cantaores then included on stage, just as Carlos Saura captured it in ‘Flamenco’. And Juan Andrés Maya and Diego Llori, Amargo and Jinete starred in the show’s culminating scene, that dramatic victory of death and destiny which determined when the ‘Lorcan’ character’s time was up … and surprised Mario Maya with his pockets full of projects. That’s why it might not be a time for requiem, but rather for keeping his legacy alive.

'Tribute to Mario Maya'
Photo gallery, by Daniel Muñoz

Click the image to view photo gallery



Carlos Carbonell, ‘Acompasa2’
Sala Compañía, 7 p.m.

Highslide JS
Carlos Carbonell and Ana Arroyo
(Photo Daniel Muñoz)

Flamenco dancing and contemporary dance shook hands in the show ‘Acompasa2’ with which Cádiz-born bailaor Carlos Carbonell and dancer Ana Arroyo closed the bill at the Sala Compañía, with Jerez-born pianist La Reina Gitana as guest artist.


Further information

Festival de Jerez 2009. Show schedule / Ticket sales

All about Festival de Jerez 2009: news, program, ticket sales, about the shows, archives...

Festival de Jerez 2004. Mario Maya Company. ‘Un, dos, tres… fa’. Reviews, photos & videos

Special Feature. Reflections by Mario Maya

Visit the international flamenco festival agenda

 


     
 
 
This text will be replaced
     
CD. Jesús Torres, 'Viento del Norte'

More information, audio, orders
CD. Mario Maya, 'Camelamos naquerar'

More information, audio, orders
CD. Manuel de Paula, 'Como oro en año'

More information, audio, orders
DVD. Mario Maya. Rito y geografía del baile. Vol. 4 (Contiene '¡Ay!, jondo')

More information, audio, orders
 

Mario Maya
Biography, discography, audio and orders

 

 
If you want to be a real flamenco surfer type
down your e-mail and we'll keep you updated: