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2006 FLAMENCO FASHION. SPECIAL FEATURE
+ PHOTO GALLERY
Flamenco fashion reinvents
itself in retrospect
Marina Heredia, Alba Molina
and Estrella Morente, among other artists,
display the new proposals in the design of the frilly dress
Susana Muñoz Bolaños. Seville,
February 5th, 2006
For the tenth straight year, Seville has been the
place chosen as the catwalk to display the manifold and most
original ways of understanding the flamenco dress, at the
International Week of Flamenco Fashion (Simof). Since Seville's
first April Fair was inaugurated in the year 1846, the regional
costume has been subjected to the ups and downs of the whims
of the fashion world, acquiring so many styles that at this
point in time it's impossible not to be surprised by creators'
capacity to go on innovating.

(Photo: Daniel Muñoz)
With a full house in the over thirty shows by as many creators,
the audience packing the room were able to see, in a festive
ambience livened up by the good music of Son
de la Frontera, Vicente Soto ‘Sordera’, José
Mercé, the group Echegaray and a very long et cetera,
that the frilly dress is still capable of reinventing itself
in retrospect.
Bailaoras and bailaores, cantaoras and cantaores such as
Cristina Hoyos, Lalo Tejada, Sara Campos, Marina
Heredia, Macarena Giraldez, Estrella Morente, Falete,
Manuel Molina, María Jiménez, besides an endless
number of bullfighters, famous people from the social scene
and show business as well as international models were on
or at the foot of the catwalk enjoying what has now become
the international flamenco dress festival. The catwalk is
not just a showcase, but also a show.
The over one thousand models seen over a four-day period
have made it clear that the flamenco world is still one of
the main sources of inspiration for flamenco fashion. And
not just because of the live performances that livened up
each show with guitar, box drum and cante; or the baile on
the catwalk by bailaoras appearing as models, but for having
been the inspiration for many creators. Thus was understood
by Javier Márquez, a young Sevillian
creator who has been inspired by Bambino for the creations
presented at the "Catwalk for Newcomers"; and the
recognized Pepe Jiménez ‘El Ajolí’
and Aurora Gaviño, who wanted to each
pay tribute to Lola Flores and Rocío Jurado in their
collections.
Bata de cola
(Photo: Daniel Muñoz) |
2006 flamenco Fashion (Photo:
Daniel Muñoz) |
Alba Molina
(Photo: Daniel Muñoz) |
Among the designers, recognized names and very related to
the flamenco world, such as Lina, who has been dressing bailaoras
and cantaoras in and outside of Spain for five decades and
who presented her first collection at Simof marked by elegance,
purity of lines and colors and perfectly studied cuts in her
batas de colas to make baile easier.
Also standing out were other great ladies of the flamenco
dress, such as Ángeles Verano, who
did the entire wardrobe of the latest show by Charo Cala at
the 2004 Bienal, a genuine forerunner of the frills movement
and of the use of new fabrics. Pilar Vera,
on the other hand, has created a collection of flamenco dresses
and batas de cola especially aimed at her extensive list of
Japanese customers, with special patronage. Standing out likewise
is the good work of the firm Faly, de la Feria al
Rocío, creator of the wardrobe of the Antonio
el Pipa Dance Company, of that of María del Mar Moreno
and in charge of dressing bailaora María José
Franco

(Photo: Daniel Muñoz)
magazine@flamenco-world.com
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