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18th FESTIVAL FLAMENCO POR TARANTOS
CHANO LOBATO, DIEGO CARRASCO AND MANUEL MOLINA...

High voltage

S.C. Madrid, April 19th, 2007

‘Desde el compás a lo jondo’. First part. Chano Lobato with Antonio Carrión. Alfonso Salmerón with Rafael Andújar. María José Pérez with Antonio Carrión. Second part. Diego Carrasco (with Curro Carrasco, Quina Amaya, Juan Grande) + Manuel Molina, ‘2 autores. 2 artistas’. 18th Festival Flamenco por Tarantos, A Almería. Colegio Mayor San Juan Evangelista. Madrid, April 19th, 2007. 9 p.m.

 

Diego Carrasco (Photo Daniel Muñoz)
   

When all had been said and done, and it was past one o’clock in the morning, Diego Carrasco walked down the hallways softly singing the taranto he didn’t sing up on stage. He whispered it to some friends, with his raspy voice piercing his gray beard, marking how he was drawing it up to the malagueña, the way El Serna used to. He got the hang of the stage. “I’m sure Alfonso Salmerón has sung tarantos for himself and for me”. And he devoted himself to his repertoire, to his beat as an author, selecting choice pieces off his albums. From “cristales de luz negra” to “la mariposilla verde”, from “mi momá no sabe” to “¡José Monje Cruz!”, with the lullaby “la ea” in between. Curro Carrasco, from Navajita Plateá, accompanied him on toque; Juan Grande marked him on box drum; and Quina Amaya, from Las Peligro, provided him with the choruses and a vibrant cante por bulerías at the end, in the fiesta he invited José Soto ‘Sorderita’ to and “my girls” (who perhaps unintentionally paid tribute with their lyrics to the absent Lole). The electricity which was missing in the sound checks was then generated on stage.

But electrons, neutrons and protons had already been fired off the stage some time before, sprinkling the seats of this modest music temple which is Colegio Mayor San Juan Evangelista. The current started flowing when maestro Chano Lobato made his appearance, embraced by a thunderous ovation. Eighty years old, which is something. And fit as a fiddle. He sang delightfully por tangos, alegrías, soleares, bulerías and tanguillos, delivering history and truth to the faithful followers and young university neophytes, whom he gave away a good handful of hilarious anecdotes to. You already know what he sings and tells with the same wit. The ‘tirititrán’ by Espeleta, the little dog Linda dancing por bulerías, the mule at the tablao of Arcos de Cuchilleros... And the crowd drooling. And Antonio Carrión at his side, his delighted accomplice on toque. A real pleasure to enjoy this flamenco which is nearly a century old.


Manuel Molina
(Photo Daniel Muñoz)

 
   

And it isn’t that he’s up in years, but Manuel Molina is really in-the-know in old time matters. He needs nothing else than his guitar, than nestling up behind it, than letting it fly through the air, than closing his eyes... and transforming into a timeless jondo troubadour. Manuel, who used to team up with Lole, has verses of the kind that capture the essence of folk wisdom, like the good anonymous lyrics in the flamenco song book. An example: “I started looking for a friend / And since I didn’t find one / How well I get along with myself”. And Manuel has an absolutely touching way of uttering it, no matter how twisted the rules are. Of course, until those moments of high tension arrived, the stage had to be warmed up. And that was taken care of by two Almería-born cantaores, doing honor to the festival’s name. The seniority was provided by Salmerón, who indeed sang not just tarantos, but also mineras, cartageneras and tarantas, besides caracoles, soleá and fandangos. Everything seemed to work out as scheduled, though lackluster in the accompaniment. And freshness had to be contributed by cantaora María José Pérez who, once she’d overcome the initial impression up on stage - it was here where Camarón sang for the last time, imagine -, made a great effort in her performance por levante, seguiriyas and fandangos. Almería pressed the switch. The electricity came afterwards.

Click the images to enlarge

Diego Carrasco
(Foto: Daniel Muñoz)
Quina Amaya
(Foto: Daniel Muñoz)
Curro Carrasco y Juan Grande (Foto: Daniel Muñoz)

Chano Lobato y Antonio Carrión
(Foto: Daniel Muñoz)
María José Péreza
(Foto: Daniel Muñoz)
Alfonso Salmerón
(Foto: Daniel Muñoz)

 

More information:

17th Festival Flamenco por Tarantos ‘A Almería’ 2006

Interview with Diego Carrasco, cantaor, guitarist, composer (April, 2004)

Flamenco x 2. Interview with Chano Lobato and Marina Heredia, cantaores (May, 2002)

Interview with Lole Montoya, cantaora (March, 2004)

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www.flamencofestival.info

 
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