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Ayeo is the heartrending expression of one of the most critical moments in cante; with each ‘ay’ we revive one of flamenco's deepest senses, which is the vital grief of the ancestors, those gypsies, Moors, Andalusians, Jews... who while living together in the south created one of the most beautiful artforms.
Ana Arocena, Uruguay

Ayeo is a series of little games that the cantaor does with the syllable ‘ay’, which turns the cante sometimes funnier, other times deeper; more joyful or more suffering, showing, as in everything flamenco, the deepest of the soul.
Waleria, Brazil

Ayeo is used as preparation for the beginning of cantes.
José Sánchez, Spain

Ayeo is the action of the cantaor when he pronounces several consecutive ‘ays’ while he sings.
Esther Ruiz, Spain

Ayeo is the voice of magic used by the cantaor's human vehicle.
Enrique Santamaría, Mexico

Ayeo consists of what the cantaor sings at the beginning of a song (ayayayaayy), with diverse motives: getting the tone, giving it to the guitarist, or simply out of custom.
David el Moreno, Spain

Ayeo is the opening the cantaor does to warm up or as embellishment before singing the lyrics.
Andrés Heredia, Spain

Ayeo is the quejío that the cantaor or cantaora does before the dancing and which provides him with the intonation he prefers. The content as far as lyrics is only ‘ay’, spoken once or repeatedly, stretching the word to each one's taste.
Rocío, Argentina

Ayeo is the flamenco feeling of lament expressed in the introduction to each cante.
Nuria Lanzagorta, Mexico

Ayeo is the expression of cante flamenco, the quejío, the shout, the grief....
Naia, Spain

Ayeo refers to the use in singing of the expression ‘ay’. It is the sound that introduces us to a song.
José Antonio Elíaz, Venezuela

Ayeo is the heartrending quejío in the form of ‘ay’, generally used as an introduction in many cantes.
Christian, Argentina

Ayeo is used to give more feeling to sung flamenco music; it is an expression used, like many others, to show and express the cantaor's feeling, grief or sadness.
Joycilene Santos, Brazil

Ayeo is the quejío which helps the cantaor to find the right tone to use. Depending on what kind of style he is going to perform, the ayeo will be different.
Analia, Argentina

Ayeo is the ays that a cantaor/a expresses in his cante... part of his own quejío.
Gladys, USA

Ayeo in flamenco is when the cantaor begins to color the ‘ay’, at the beginning of cantes such as the seguiriya or the soleá, to carry out a sort of introduction to the song and to warm up his voice.
Pedro Cortés, Germany

Ayeo is the vocal warm-up the cantaor does before tackling a cante.
Curro Marroig, Spain

Ayeo is the term which defines the quejíos preceding the cante, which help to warm up the cantaor's voice and prepare it to begin.
David, Spain

Ayeo is the repeating time of ‘ay’.
Enrique Gardey, Spain

Ayeo is the quejío, whose representation is ‘ay’, which cantaores and cantaoras heartrendingly place at the most critical moments in the performance of the deepest and most doleful styles, such as the siguiriya, the taranta...
Manuel Martín, Brazil

Ayeo is a whisper with sorrow and tune.
Carmen, Spain

Ayeo is a series of ‘ays’, the magic that is expressed in words and the feeling overflowing the cantaor or dancer at the time of giving away his dance, his music, his flamenco art.
Erika, Uruguay

Ayeo is the song's charm and is the candor of popular feeling at the time of fully giving away its art. Ay, ay, ay, tiriti, traun, que traun, que traun...
Pipo, Uruguay

Ayeo is the grief of the cantaor's soul, deep, broken and expressed simply with his voice.
Miguel, Spain

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