Blanca del Rey presents 'Flamenco a Bocajarro'
at the Teatro Madrid
The show will be performed
in the Spanish capital between May 16 and June 9 2002.
Flamenco-world.com
Blanca del Rey's Flamenco Ballet continues
to bring to life 'Flamenco a Bocajarro', a show which has been enjoying international
success since it was first premiered two years ago. The company run by the dancer
from Córdoba will be performing the show in the Spanish capital's Teatro
Madrid between May 16 and June 9 2002. The work represents a call for a return
to purity, emotion and the roots of flamenco dance.

Blanca del Rey (Photo: Alberto Prieto)
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'Flamenco a Bocajarro' is made up of six acts
choreographed by Blanca del Rey and Diego Llori, who also takes part as a guest
artist. The show begins with 'El son que al rojo me lleva', which includes a martinete
and a seguiriya finished off with some cabales. The first half is completed by
the farruca 'Amarrándose los machos' and the alegrías in full flamenco
dress entitled 'Mi bata que a Cádiz me lleva'. In the second part Blanca
del Rey and Diego Llori dance the tarantos 'Una rosa con espinas', which is followed
by the Colombian 'Concierto de abanicos'. The show climaxes with Blanca del Rey
' solo performance of her famous 'Soleá del mantón'.
The cast is made up of male dancers
Javier Espinosa, José Barros, José Barros, Iván Martín
and Juan Carlos Gil; and their female counterparts Felisa de la Cruz, Raquel Soblechero,
Georgia Celli, María Martín, Mónica Canalda, Nella González
and Celia Lizcano. The music is composed and performed by the guitarists Felipe
Maya and his son Leo de Aurora. El Almendro, Carmina and El Chaleco perform the
cante. Helping the cast are Dominique You, with the lighting and technical director
Freddy Guerlache.
Creation and evolution
The show 'Flamenco a bocajarro' is the
latest production from Blanca del Rey's Flamenco Ballet, which has been going
since 1983. The show has been accompanied on international tours by Pasión
flamenca', which was first performed at Córdoba's Gran Teatro in 1992.
The company bases its work on the philosophy of "the continual creation and
evolution of choreography based on the distinctive rhythms of flamenco dance set
in the environment of a theatre".