Camarón de la Isla returns with the
album 'Alma y corazón flamencos'
Flamenco-world.com, February 2004
Fifteen years after 'Soy Gitano', the album
which took flamenco to the megahit lists in 1989, and twelve years since the death
of the genius from La Isla, Camarón
returns. The company Universal Music has recovered and updated the voice of the
cantaor from San Fernando on a triple album with thirty-three songs that will
come out in early March 2004. The definitive publishing and mastering has been
carried out in the mythical Abbey Road Studios in London directed by Luis Monge,
Camarón's son, and Maín Gómez-Escolar.
Camarón at the studio
(Frames from DVD 'Francisco
Sánchez-Paco de Lucía')
Just as was done with Elvis Presley and the
Beatles, the company Universal has taken the original tapes by Camarón
and has remixed some of the most famous numbers by the Cádiz-born cantaor.
The novelties in the new triple compilation are "to include a previously
unreleased flourish by Tomatito
in 'La Tarara', recover the arrangements by Joan Albert Amargos which were lost
in the original mixes of 'La
Leyenda del Tiempo', include the second voices by José Monge eliminated
in previous editions and listen to the Royal Philharmonic again with all its energy",
as reads a press release by the company. At the same time, after thirty-three
years, the original version of the bulería 'Samara' has been recovered
and restored, which had been released incomplete since being published on vinyl
in 1971, "and nobody without the LP from that year has been able to listen
to it just as Paco de Lucía and Camarón intended it".
The result will come out in a triple CD format
with thirty-three titles "and many surprises: instruments which weren't heard
before are now in their natural plane, the voice of the genius updated in color
and sharpness, an intense job but full of love and respect for he who is the greatest
flamenco cantaor of all time". Thus, beginning on March 8th, great songs
by the artist will be able to be listened to with new luster such as 'Canastera',
'Rosa María', 'Volando voy', 'Yo vivo enamorao', 'Calle Real', 'Te lo dice
Camarón'... and of course, 'Soy gitano'.

Camarón with Paco de Lucía and Tomatito at the studio
(Frame from DVD 'Francisco
Sánchez-Paco de Lucía')
Posthumous career
Camarón de la Isla never stops being
current. Following the tenth anniversary of his death in 2002, biographies have
been published such as 'Camarón,
biografía de un mito' ('Camarón, Biography of a Myth'); the
DVD 'Camarón. Paris 87/88' has been released; the collector's box set 'Integral',
with nineteen records; and recently, the SGAE (Spanish Authors' Society) has come
out with the book 'Camarón
vida y obra' ('The Life and Work of Camarón'), a study of his career
and a detailed analysis of all his discography, made by José Manuel Gamboa
and Faustino Núñez. The latest landmark in this posthumous career
is the album 'Cositas
buenas' by Paco de Lucía, where the guitarist from Algeciras and Tomatito
play for a previously unreleased Camarón singing through bulerías.
magazine@flamenco-world.com