flamenco
The ‘Pa saber de flamenco’
collection
specializes in guitar
Now on sale
is the third cante compilation with Camarón and Carmen
Linares, among others
Flamenco-world.com, June 2005
After three volumes centered on
the basics of cante, the ‘Pa saber de flamenco’
(‘To Know About Flamenco’) collection, drawing
on Universal's extensive archives, focuses on guitar. The
album ‘Pa saber de guitarra’ (‘To Know
About Guitar’) compiles sixteen toques performed by
the most outstanding guitarists in flamenco history. Today's
maestros such as Paco
de Lucía, Manolo Sanlúcar and Tomatito
are there, but it does not forget greats from the past like
Sabicas, Melchor de Marchena, Ramón Montoya and Niño
Ricardo. This record coincides with the release of ‘Pa
saber de flamenco 3’, which opens with the tangos
‘Como el agua’ by Camarón de la Isla
and closes with ‘Sólo quiero caminar’
by Paco de Lucía. Between the first cut and the sixteenth,
there is a varied selection of cantes and cantaores of the
so-called golden era; among others, La Paquera de Jerez,
Antonio Mairena, Fosforito, Manolo Caracol and Terremoto
de Jerez. A must.
“The styles contained on this album
show the many sides of this wonderful music”. This
sentence included in the libretto (in Spanish and English)
of the first volume of ‘Pa saber de flamenco’,
subtitled with the title of the most transgressing album
by Camarón - ‘La leyenda del tiempo’
-, sums up the essence of this collection of compilations
now in its third volume.
‘Pa saber de flamenco 3’ offers
another selection of sixteen tracks reflecting the diversity
of at least half a century of flamenco. As is usual in the
collection, Camarón
and Paco de Lucía flank the new selection of sixteen
tracks. Standing out are the fandangos caracoleros ‘De
la Torre de la Vela’ by Manolo Caracol, the seguiriyas
‘Tanto llamar’ by Antonio
Mairena, the bulerías ‘Qué dolor
de mare mía’ by La Paquera de Jerez and the
rumba ‘Tú volverás’ by Bambino.
Although guitar makes itself present on
this album, especially conceived for toque lovers is ‘Pa
saber de guitarra’. The Universal record company archives
store genuine jewels, as is demonstrated by this selection
of sixteen tracks kicking of with ‘Almoraima’
by Paco de Lucía and finishing with ‘Almoradí’
by José María Pardo. Manolo Sanlúcar,
Tomatito, Juan Habichuela, Sabicas, Niño Miguel,
Ramón
Montoya, Niño Ricardo and Melchor de Marchena
are also in this fundamental ‘catalogue’ for
listeners seeking to have discovering the best made easy
for them.
Other compilations
At the same time, the same record label
offers a taste of its archives in two volumes under the
title ‘El flamenco es universal’ (‘Flamenco
Is Universal’). The same strategy is followed by Emi,
with the compilations ‘Con poderío. Nuestro
mejor flamenco’ (‘With Power. Our Best Flamenco’),
‘Descubre el flamenco’ (‘Discover Flamenco’)
and the double album ‘Un siglo con duende’ (‘A
Century with Duende’), all of them with fitting selection
criteria combining current talents with maestros from the
past. The latter is the specialty of Sonifolk, which in
the compilation ‘Grandes maestros del flamenco’
(‘Great Flamenco Maestros’) includes the best
of the oldest archives, with names of the likes of El Tenazas,
Antonio Chacón, El Mochuelo and Manuel Torres. You
can pick and choose.
magazine@flamenco-world.com