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Martín Guijarro, August 2005
For some years now, flamenco-lovers
have been enjoying audio-visual flamenco dance,
guitar and even cajón classes. The only
thing missing was cante flamenco. And now the
time has come. Whilst there are many who say that
flamenco vocals can't be learnt or taught, Merenguito
challenges them with a first installment of the
step-by-step teach yourself collection ‘Cante
flamenco paso a paso’. According to the
vocalist from Madrid, its aim is to “explain
in depth the structures of the main flamenco cantes,
their rhythms, the compás for each, scores
and scales.” It's not only directed at apprentice
cantaores, but also at guitarists who want to
improve their skills at accompanying vocalists
and at any flamenco fan who wishes to improve
his or her knowledge of rhythmical structures
and distinguish between styles.

And all this in an outstandingly
practical format, as students have the option
to work with the volumes on both vocals and guitar
to do their exercises. In addition, you can get
the teacher, accompanied here by two 'palmeros'
(Francisco Manuel Prieto and José Manuel
Martínez) and a guitarist (Roberto Hernández),
to repeat the lesson as many times as you need.
And the fact is that imitation and repetition,
in this case, hold the key to learning.
The first volume revolves around
four styles from four points in Southern Spain:
the caña de Jerez, alegrías de Cádiz,
tonás de Sevilla and tangos extremeños.
For each of these 'palos' the teacher offers a
brief introduction regarding the origins and geographical
details, and then a more detailed explanation
of the tonality, rhythmical structure and style
of clapping palmas.

After that, there's a demonstration
of the palmas for that palo, and the lesson is
rounded off with a dissection of the parts of
each cante: salida (the entrance), cuerpos (the
main body), coletillas (the endings)... Once this
has all been explained - the soundtrack is also
dubbed into English, French, German and Japanese
- the vocalist and his group perform the entire
cante, in each case with the compás accompanying
it. The DVD menu offers the choice of angle function
for this scene for students who want to focus
on one of the three elements: cante, toque or
palmas.
To accompany the DVD - from the
same series as ‘Guitarra flamenca paso a
paso’ and ‘Learn to play cajón
flamenco’- there's a small booklet with
a biography of the cantaor, the lyrics of the
cantes, the compás for each, and some additional
information on every style studied, written in
Spanish, English, French, German and Japanese.
More information:
Óscar
Herrero. Guitarra flamenca paso a paso
Guillermo
McGill. Learn to play cajón flamenco
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