|
|

S.C./Flamenco-world.com, March 2010
'Mixtolobo' Front cover
|
|
Flamenco rock returns. However, now it doesn’t
come from Triana, but rather the neighborhood of Santiago in Jerez.
Coming from there is Mixtolobo, an instrumental group stemming from
Tomasito’s
band. It is led by two guitarists. One is flamenco; Juan Diego.
The other is electric; Jorge Gómez. And from playing so much
together, the communication between their instruments and their
styles has naturally become unstoppable. Rock and flamenco, flamenco
and rock, are all one. They say there’s good karma and that’s
what their first album exudes: ‘Frontera’.
The repertoire of the album, whose production is
participated in by Los
Delinqüentes, touches on basic flamenco styles, from
bulerías to seguiriyas, with tangos, rumbas and soleares
in between. And they’re all treated flamenco rock-style
from a viewpoint of their own, rich in influences and above all,
full of guitar. It opens precisely with a tribute to the binding
artist. ‘Tomi mío’ is a vibrant letter of introduction
por bulerías with true Tomasito-style spirit. Next come
songs composed by Juan Diego, some from his show ‘Inspiración’
- and therefore, from his second still unreleased album - like
‘Dieguito’ and ‘Malika’; others, off his
début album ‘Luminaria’. And he therefore lets
his composing partner join him in this work: Antonio Soteldo ‘Musiquita’.
But they’re all looked at with a different regard; they
maintain their subtlety, but they reveal a harsher, more energetic
side. Jorge Gómez also contributes his own pieces, letting
them fall somewhat more on the rock side, as occurs in ‘Al
compás de la válvula rota’ and ‘El Perdigal’.
And all of it is given atmosphere, shape and verve by, together
with Ignacio Cintado on electric bass, Juan Peña ‘Chispa’
on percussions and special collaborations like that of Antonio
Serrano on harmonica and that of Jorge
Pardo on sax in ‘A buscarme viene’. By the way
in that song, which is a seguiriya after all, you can hear the
cante of Juan Castro, just like Juan Fajardo Moneo ‘Momo’
sings por soleá in ‘Al compás de la válvula
rota’.
And there is room in all of those contents for
the hectic rhythmic life of Santiago, airs of the Mississippi,
hard rock, progressive reminiscences and even ballads, which these
mixed musicians understand as having two guitars, flamenco and
acoustic, and with a Tibetan background. And check out the cover,
a drawing by Santos de Veracruz of that animal half-dog, half-wolf
which gives the band its name… but with a patch over its
eye, a polka-dot T-shirt, piercing, wound, cigar, and on the back
cover, its guitar.
|
|
| |
 |
CD. Mixtolobo,
'Frontera'
More
information, audio, orders |
|
 |
|
“Rock and flamenco, flamenco and rock, are all one. They say
there’s good karma and that’s what their first album
exudes”
|
|
Juan
Diego
Biography, discography, audio and readers'
comments
|
|
|
|