Antonio Mairena, "Los Cantes de Antonio Mairena" (BOOK)", de Luis Soler Guevara y Ramón Soler Díaz
"The book, which has the added value of having been published in a deluxe hardcover edition, turns out to be the most complete biographical sketch of Antonio Mairena that has ever been done"

Arcángel, "Ropavieja"
"‘Ropavieja’ is one of those joys flamenco gives us every now and then, the confirmation that it is a lively artform capable of giving birth to very great young artists who, in turn, feed it and make it grow"

Arcángel, "La calle perdía"
"Arcángel's second album marks one of the directions of highest artistic level in today's cante flamenco"

Argentina, "Argentina"
"Tangos, bulerías, rumba, alegrías and even fandangos are all polished up, translated for the less expert listener and equipped with choruses sung in unison, leaving ample scope for her vocal prowess"

Camarón de la Isla, "Antología inédita"
“Key moments in the history of flamenco, appearing here with slight variations”

Camarón de la Isla, "La leyenda" (book + 4CDs)
"The book-record (which doubles the standard size of a CD), in figures, contains four CDs, seventy-seven re-mastered tracks and a forty-eight page libretto"

Camarón de la Isla, "Camarón de la Isla, Limited digipack re-release"
"The added value of these revamped albums is the inclusion of a sheet on the inside with the transcription in tablature of all the cantes for guitar, indicating the chords and the time. An un-released complement up until now"

Capullo de Jerez, "Flor y canela"
“On ‘Flor de canela’, the Jerez-born cantaor goes along the same lines of his previous records with direct flamenco which is hummable, abrupt and extremely rhythmic”

Chocolate, "Cobre viejo"
“With his voice at the top of its form, on this album Chocolate performs the repertoire which he cultivated over decades devoted to cante”

Chocolate, "Mis 70 años con el cante"
"Antonio pours his heart out in the studio with a desire to pass down a major document to posterity"

David Palomar, "Trimilenaria"
"On the disc, tradition carries a lot of weight. David has treated himself to recording, with his present-day voice, seguiriyas, soleá, malagueñas, alegrías and some fandangos with a personal touch"

Duquende, "Mi forma de vivir"
"Duquende is in fine vocal form, with his warm, mature timbre"

Enrique Morente, "Morente Flamenco"
“You never listen to the same Morente; thus, each of these cantes gathered here is a unique piece”

Enrique Morente, "Morente sueña la Alhambra"
“Enrique Morente is an artist who has the respect and admiration of an audience that appreciates creation”

Enrique Morente, "El pequeño reloj"
"El pequeño reloj is the reflection of a mature performer, in technical and vital plenitude, on his art. And on the passing of time"

Esperanza Fernández, "Esperanza Fernández"
"On one side, a sea of modernity, on the other an ocean of great depths"

Pedro Bacán & Inés Bacán, "Inés, hermana mía"
“Pedro Bacán's memory has been safeguarded in a valuable document, the film ‘Inés, hermana mía’ (‘Inés, Sister of Mine’) by Carole Fierz”

Jesús Méndez, "Jerez sin fronteras"
“‘Jerez sin Fronteras’ is a first album, but it is endowed with unusual maturity”

Joaquín el Canastero, "Se busca"
"A 'rare bird' of a singer. In 'Se busca' Joaquín el Canastero embarks upon a journey that has been enriched by his narrative skills"

José Mercé, "Del amanecer..."
"Radiant. Free-flowing flamenco"

José Mercé, "Confí de fuá"
"The Jerez-born cantaor once again puts his money on legible, open, universal flamenco, which he has been cooking up since ‘Del amanecer’. And he achieves a varied, dynamic, believable album"

La Macanita, "La luna de Tomasa"
"La Macanita, without giving up being a cantaora, wants to demonstrate her versatility, taking a look once more at the field of light flamenco-style song"

La Susi, "Agua de mayo"
"La Susi , made a name for herself in the seventies and eighties with the kind of flamencoized song based on the rhythm of bulerias or tangos popularized by the genius Camarón"

Lole, "Ni el oro ni la plata"
"Lole is back, mature and young at heart, with all of those different vocalists that her voice allows her to be..."

Luis de la Pica, "El duende taciturno"
"You have to ignore the sound quality and appreciate the value of these testimonies, the lyrics written by this cantaor-poet, his idiosyncrasy and the aftertaste of the moment"

Marina Heredia, "La voz del agua"
"The cantaora from Granada has cast off all that is superfluous in her new project"

Mayte Martín, "De fuego y de agua"
"‘De fuego y de agua’ emphasizes Mayte Martín’s most intimate and most sentimental side"

Merenguito, "Cante flamenco paso a paso 1 (DVD)"
"It's not only directed at apprentice cantaores, but also at guitarists who want to improve their skills at accompanying vocalists and at any flamenco fan who wishes to improve his or her knowledge of rhythmical structures and distinguish between styles"

El Pele & Vicente Amigo, "Canto"
"Accessibility is the name of the game in this new crossing of paths between El Pele's booming voice and Vicente Amigo's prodigious guitar"

Remedios Amaya, "Sonsonete"
"Disposable product, suitable for non-believers"

Santiago Donday, "Morrongo"
"Morrongo is a jewel from another time, from all of time, strange but which happily someone has decided to put into circulation"

Segundo Falcón, "Un segundo de cante"
"When debut is not a synonym of inexperience, when yesterday and today are not opposites, when a second is a century"

José María Castaño, "Sordera de Jerez. La elegancia del duende"
"The book, illustrated with two appendices of black and white photos, includes first-hand testimony from the cantaor, selected from personal interviews carried out by the author, Jerez-born critic José María Castaño"

Tomás de Perrate, "Perraterías"
"Tomás de Perrate keeps alive the heritage of his elders and Utrera's cantaor idiosyncrasy in ‘Perraterías’"

VVAA, "Magna antología del cante flamenco (10 CDs + BOOK)"
"The result was a ‘great’ work whose value has multiplied with the passing of two decades, constituting a fundamental course - now on ten digital albums and in a book - to understand cante flamenco... and learn to enjoy it"

VVAA, "Mujerez"
"Each does her own thing and then halfway through the disc the three heartrending voices come together in a round of tonás, of unaccompanied cantes, even rawer than all the rest, which is no small thing. Laying stakes on the heavy, the timeless, the simple, the untamed"


     
  CD. Paco de Lucía, 'En Vivo. Conciertos España 2010' (2 CD + DVD)

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  CD. Arcángel, 'Arcángel'

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CD. Rafael Jiménez "El Falo", 'El cante en movimiento'

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CD. Jesús Corbacho, 'Debajo del romero'

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CD. Carlos Piñana, 'Manos libres'

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